Captions, subtitles, show notes and a searchable archive for teams publishing every week — including dialogue in Pidgin, Yoruba, Hausa and Igbo.
A head of production or a content operations lead, spending against a client project or a channel budget rather than an annual software line. They decide quickly, but only after running one of their own difficult episodes through it — a noisy set, a three-language conversation, a guest nobody else's tool has ever handled.
No — that is the case AuTrans was built for rather than an edge case. A conversation that moves between Nigerian English, Pidgin, Yoruba, Hausa or Igbo is handled as one recording, in the languages actually spoken, so nobody has to split a file by language before uploading it.
Both. Every recording exports to SRT and VTT for captioning and platform delivery, and to TXT, DOCX or PDF for scripts, show notes and archives. The transcript stays editable with the audio playing alongside it, so an editor fixes a name or a timing and exports the corrected file.
Minutes rather than hours per file, though the exact time depends on the recording and on load at that moment. The practical change is that captioning stops being the step that decides whether an episode ships on schedule, and several files can be queued at once instead of moving through one editor.
Audio is never used to train AI models, under any plan, including institutional ones. Text corrections can be used to improve the product, but only where an account has explicitly opted in — and a studio account can simply have it off. Recordings stay private to your account unless you deliberately share a view-only link, and everything for a project can be deleted on request including the derived data.
Yes, and for most studios that is the right shape. Per-file pricing starts from $0.20 with no subscription, and we also invoice monthly or per project against a purchase order. If your volume turns out steady enough that an annual arrangement costs you less, we will say so rather than let you overpay per file.
Yes. The free plan includes 30 minutes of transcription every month, which refills — enough to put your hardest audio through it before anyone signs anything: the noisy set, the three-language conversation, the guest with the accent that defeats everything else. That is a stretch of an episode rather than a full slate, so if you want to run a whole show or a delivery week end to end, ask and we will set the allowance for it. Judge it on your own material rather than on a sample we picked.
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Roughly how many hours of audio a year, and in which languages. We price against that rather than a published tier. You can also start on the free plan first and run your own recordings through it before anyone raises a purchase order.
